RESPIRA

Lentamente

(Fonte: beyonce)

(Fonte: supruntu)

(Fonte: supruntu)

(Fonte: beyonce)

bellecs: Marlon Brando in A Streetcar Named Desire (1951)

bellecs:

Marlon Brando in A Streetcar Named Desire (1951)

(Fonte: hemsk)

wasbella102: By Mark Heine

wasbella102:

By Mark Heine

(Fonte: shuitsang)

spora: “La mia scarpiera è più grande della tua” Spora (Scattata con instagram)

spora:

“La mia scarpiera è più grande della tua” Spora (Scattata con instagram)

spora: Workin’ (Scattata con Instagram presso Le Loff)

spora:

Workin’ (Scattata con Instagram presso Le Loff)

giannibugnosagace: B.

giannibugnosagace:

B.

(Fonte: fucksquirrels)

bohemea: The Dark Knight Rises

bohemea:

The Dark Knight Rises

Oh, lo voglio fare anch’io!

Oh, lo voglio fare anch’io!

(Fonte: nancyishappy)

arreter: Famous for his editorial work, Lauris Paulus has photographed still lives and portraits for numerous international magazines. Simultaneously he has been pursuing his own artistic research, consolidating his vision and developing personal themes. As a result, his work is now exploring three-dimensionality and sound, in addition to the pure photographic medium. Lauris Paulus probes away at the mistakes and limits of his own practice. He questions his perceptions without ever losing the distant and troubling quality of his images. Never satisfied with the result, he is constantly and anxiously reworking an installation or photographic work.On the boundary between sex and fantasy, the result is a body of work which looks at how things develop into being and which shocks the viewer with its tension and persistence.

arreter:

Famous for his editorial work, Lauris Paulus has photographed still lives and portraits for numerous international magazines. Simultaneously he has been pursuing his own artistic research, consolidating his vision and developing personal themes. As a result, his work is now exploring three-dimensionality and sound, in addition to the pure photographic medium.

Lauris Paulus probes away at the mistakes and limits of his own practice. He questions his perceptions without ever losing the distant and troubling quality of his images. Never satisfied with the result, he is constantly and anxiously reworking an installation or photographic work.On the boundary between sex and fantasy, the result is a body of work which looks at how things develop into being and which shocks the viewer with its tension and persistence.

(Fonte: womow)